By now we figured the only way to see more of Miley Cyrus would be to be her gynecologist. Really, what could be left?

Turns out plenty.

A documentary called "Miley: The Movement" airing on MTV Wednesday (Oct. 2) reveals an intimate side of Cyrus -- but only business intimate.

That takes a moment to digest, but the 41-minute film is timed to coincide with her new album, "Bangerz," which drops Tuesday, Oct. 8, and this is all about how Cyrus is completely focused on her career.

That means no Liam Hemsworth, no discussion of the broken engagement. Though there are some photos of her childhood and mentions of dad Billy Ray Cyrus, there are no probing interviews as in a traditional documentary. Cyrus had editorial control over the film.

What it shows is a very confident, very relaxed young artist, over the course of almost four months. The taping began before her Video Music Awards twerking and gyrating performance and features a lot from backstage that night.

She's surprised that people are surprised she's not Hannah Montana. She grew up.

"I had to do something that didn't feel like me for so long," Cyrus says.

Now, she has come into her own.

"I needed to let go of a past in a way, so I felt I could be the bad b**** I am," Cyrus says.

And she is not apologetic.

"Five years ago, I thought I would be like a paramour in the band," Cyrus says.

For most of "The Movement," Cyrus is not the performer with her tongue out and hips thrusting. She comes across as incredibly focused and hard-working. And in the film's most telling scene, Cyrus comes across as an unabashed Britney Spears fan.

"I always say I only want one b**** on my records and that is Britney, b****," she says.

Cyrus is amped up when she works with Spears and tells her, "The way you have been with Madonna? That's how you have been for my generation."

Spears smiles as a shadow crosses her face.

Cyrus also reflects on watching the 2002 VMAs, when Spears wore the Burmese python as a boa. Cyrus was enthralled, worrying her father, whom she quotes as saying, "My daughter's going to be a stripper."


JAY Z ON HIS RAGS-TO-RICHES STORY, WOOING BEYONCÉ, AND HOW BLUE IVY IS HIS “BIGGEST FAN”
 Shawn Carter, better known as Jay Z, tells Vanity Fair contributing editor Lisa Robinson in the November issue that although his wife, Beyoncé, says that their 18-month-old daughter, Blue Ivy, prefers Jay’s music to hers, he’s not so sure. “That’s not true. She does like her mother’s music—she watches [Beyoncé’s concerts] on the computer every night. But my album came out and I don’t know if Blue ever heard any of my music prior to this album—she’s only 18 months old and I don’t play my music around the house. But this album was new, so we played it. And she loves all the songs. She plays a song and she goes, ‘More, Daddy, more . . . Daddy song.’ She’s my biggest fan. If no one bought the Magna Carta [album], the fact that she loves it so much, it gives me the greatest joy. And that’s not like a cliché. I’m really serious. Just to see her—‘Daddy song, more, Daddy.’ She’s genuine, she’s honest, because she doesn’t know it makes me happy. She just wants to hear it.”

Jay tells Robinson that Barack Obama’s 2008 election “actually renewed my spirit for America. It was like, Oh, wow, man, this whole thing about land of the free, home of the . . . it’s, like, real—it’s going to happen, everyone’s getting to participate in it. But growing up, if you had ever told a black person from the hood you can be president, they’d be like, I could never . . . If you had told me that as a kid, I’d be like, Are you out of your mind? How?”

Jay tells Robinson that his mother knew he was dealing drugs as a teenager, “but we never really had those conversations. We just pretty much ignored it. But she knew. All the mothers knew. It sounds like ‘How could you let your son . . . ’ but I’m telling you, it was normal.”

Jay’s checkered past taught him a few things that he says will come in handy in his new role as a sports agent: “I know about budgets. I was a drug dealer,” he tells Robinson. “To be in a drug deal, you need to know what you can spend, what you need to re-up. Or if you want to start some sort of barbershop or car wash—those were the businesses back then. Things you can get in easily to get out of [that] life. At some point, you have to have an exit strategy, because your window is very small; you’re going to get locked up or you’re going to die.”

Speaking about his childhood, Jay tells Robinson they did the best they could to make ends meet: “We were living in a tough situation, but my mother managed; she juggled. Sometimes we’d pay the light bill, sometimes we paid the phone, sometimes the gas went off. We weren’t starving—we were eating, we were O.K. But it was things like you didn’t want to be embarrassed when you went to school; you didn’t want to have dirty sneakers or wear the same clothes over again.”

While he was growing up, Jay says, “crack was everywhere—it was inescapable. There wasn’t any place you could go for isolation or a break. You go in the hallway; [there are] crackheads in the hallway. You look out in the puddles on the curbs—crack vials are littered in the side of the curbs. You could smell it in the hallways, that putrid smell; I can’t explain it, but it’s still in my mind when I think about it.”

Jay tells Robinson he sold crack but never used it, and when asked if he ever felt guilty about contributing to what was becoming an epidemic, he says, “Not until later, when I realized the effects on the community. I started looking at the community on the whole, but in the beginning, no. I was thinking about surviving. I was thinking about improving my situation. I was thinking about buying clothes.”

Jay says that when he and Beyoncé were both featured on the cover of Vanity Fair’s 2001 Music Issue “we were just beginning to try to date each other.” Try? “Well, you know, you’ve got to try first. You got to dazzle . . . wine and dine.” He tells Robinson that “of course” he pursued Beyoncé, and when asked if he hadn’t been Jay Z—say, he had been a gas-station attendant and she pulled up—would he have been able to date her, he responds, “If I’m as cool as I am, yes. But she’s a charming Southern girl, you know, she’s not impressed. . . . But I would have definitely had to be this cool.” Jay confirms that the line on his latest album, “She was a good girl ’til she knew me” is about Beyoncé, and when Robinson asks if she’s not a good girl anymore, Jay laughs, saying, “Nah. She’s gangsta now.”

As for the rumors of Beyoncé’s not really having been pregnant with their first child, Jay tells Robinson, “I don’t even know how to answer that. It’s just so stupid. You know, I felt dismissive about it, but you’ve got to feel for her. I mean, we’ve got a really charmed life, so how can we complain? But when you think about it, we’re still human beings. . . . And even in hip-hop, all the blogs—they had a field day with it. I’m like, We come from you guys, we represent you guys. Why are you perpetuating this? Why are you adding fuel to this ridiculous rumor?”

Jay tells Robinson that he and Beyoncé trademarked their daughter’s name simply so others couldn’t exploit it for profit. “People wanted to make products based on our child’s name,” he says, “and you don’t want anybody trying to benefit off your baby’s name. It wasn’t for us to do anything; as you see, we haven’t done anything.”

Jay knows to the penny how much money he has, he tells Robinson, but won’t divulge the amount; when told that Forbes estimated his net worth at around $500 million, he dismisses it as a “guesstimate” and says he’s not motivated by money. “I’m not motivated by that. . . . I don’t sit around with my friends and talk about money, ever. On a record, that’s different.”

Jay admits that, after all these years, he still loves to rap. “I know I said I wouldn’t be doing it when I was 30,” he tells Robinson, “so that’s how I know I love it. Thirty years old was my cutoff, but I’m still here, 43 years old.”



YouTube is rolling out the red carpet for its first music awards show.

The video platform has recruited Lady Gaga, Eminem and Acarde Fire to perform at the inaugural event, scheduled for Nov. 3. Spike Jonze, who directed "Being John Malkovich," "Adaptation," and "Where the Wild Things Are," along with numerous music videos, has also signed on to be the award show's creative director. Actor Jason Schwartzman, who was a songwriter prior to launching his film career with "Rushmore," "Slackers" and "I Heart Huckabees," will host.

The show will present winners for six award categories, to be announced in October, based entirely from viewer votes. The 90-minute live event, backed by Kia Motors as the title sponsor, will take place at Pier 36 in New York, said YouTube's vice president of marketing, Danielle Tiedt.

"We’re trying to create live videos during the award shows so that the experience becomes more about creating than presenting," Tiedt said in an interview. "Music is our bread and butter and our heart and soul here at YouTube. Our main goal is to not just do another award show. We wanted to do something special."

As a category, music has been among the largest on YouTube, Tiedt said, although she declined to quantify the number of views that music videos generate.

Jonze told Billboard he was intrigued by the challenge of producing an "unconventional" awards show.

"I want to find out if we can make a whole night just about making things," Jonze said. "Instead of just doing performances, can we do live collaborations?"

Neither Jonze nor YouTube would tip their hand about how they plan to make their awards show more engaging than, say, The Grammys.

In terms of ratings, the show's performance will not be measured by how many people tune in to the live event.

Traduction Française :
Eminem et Gaga pour donner une performance a la premier Édition du Prix Youtube.


Iggy Azalea sur la couverture de 'Paper Magazine'



La reine de la provoque Lady Gaga est bien nommée la star la plus sexy au monde de l'année 2013!!

Félicitation Mlle Gaga!


Earlier this month (Sep13), Rihanna sparked speculation about a high profile pop duet when she told her Twitter followers she had recorded a "monster" new collaboration with one of her favorite artists, but refused to say who it was.
The word 'monster' suggested the artist in question was Lady Gaga as the Applause singer styles herself as 'Mother Monster' and calls her fans 'Little Monsters'.
However, during a phone-in question and answer session with listeners of Los Angeles radio station KIIS-FM Lady Gaga put the rumor to rest when a fan asked her about the Rihanna duet.
She replied, "Well, no, that's not true... It's a good rumor. I like Rihanna, so, I mean it's just not true... Rihanna is wonderful and I always like hanging out with her when I see her."

Traduction BREF française :
Gaga annonce qu'il aura pas de collaboration avec Rihanna sur ARTPOP! 


Traduction Francaise :
Jennifer Lopez était aperçu hier à  Hakkasan Las Vegas